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  • Amp features and terms/ FiberGlass how to

    Several people have asked about different amp terms and their meaning. Here's a non-biased collection from www.rockfordfosgate.com/e...ureKey=756 . I've added a couple comments where I thought they would help.


    Amplifier Features

    --------------------------------------------------------------------------------
    Power supply topology:
    Output topology:
    Signal input:
    Power input:
    Stereo/mixed mono capable:
    Heat sink:
    Chrome plated:
    Display:
    Speaker output:
    Line output:
    Phase control:
    Tone control:
    Remote control:
    Class:
    Crossover:
    Channels:
    Power per channel:
    Total power:
    Bridgeable:
    Marine use:

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    Power supply topology:

    --------------------------------------------------------------------------------
    Describes the type of device used in amplifiers power supply.
    Bipolar - Transistor that contains two p or n junctions or diodes between two layers of opposite polarity material. Controlled by current rather than voltage.
    MOSFET - Metal Oxide Semiconductor Field Effect Transistor. A form of transistor controlled by voltage rather than current. MOSFETs have significantly higher switching speed than bipolar transistors. They generate almost no loss (little heat generation), which lends the power supply fast response, excellent linearity, and high efficiency.
    PWM - Pulse Width Modulation. A signal generation method used for making all of the signal pulses the same amplitude but of varying durations or widths. This helps increase the supply voltage.
    Darlington configuration. A method of using two transistors to provide very high current gain.
    Regulated power supply. Type of power supply that maintains supply voltage even as battery voltage fluctuates.


    Output Topology:

    --------------------------------------------------------------------------------
    Type of devices used in an amplifiers output section. There are three basic types of output devices found on car audio amplifiers - integrated circuits, bipolar transistors, and MOSFETs. Bipolar and MOSFET transistors are considered discrete output devices. Usually there are two per channel, but some amps feature as many as four per channel.
    Bipolar - Transistor that contains two p or n junctions or diodes between two layers of opposite polarity material. Controlled by current rather than voltage. Found on the output stages of high-powered amplifiers. They are fast enough and can handle enough current to send wattage greater than 20 watts per channel to your speakers.
    MOSFET - Metal Oxide Semiconductor-Field Effect Transistor. A form of transistor controlled by voltage rather than current. MOSFETs have significantly higher switching speed than bipolar transistors. They generate almost no loss (little heat generation). MOSFETs are found on the output stages of high-powered amplifiers. They are fast enough and can handle enough voltage to send wattage greater than 20 watts per channel to your speakers.
    IC (integrated circuit) - An integrated circuit is found only on relatively low-wattage (20 watts RMS per channel or less) amplifiers called "bridged transformer-less" amps. An IC cannot pass enough current to work on a more powerful amp and is not considered a discrete output device


    Signal input:

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    Type of connectors used to provide input signal to amplifier. This feature lists specifications where available.
    RCA - The coaxial connectors most commonly used to interlink components. Coaxial is the type of signal cable construction in which one insulated conductor is centered inside of an outer cylindrical conductor.
    DIN - Acronym for Deutsche Industrie Normen or German Industry Standard. Round multi-pin connector that contains a series of wires.
    Mini-DIN - Smaller version of DIN. Small round multi-pin connector.
    XLR - [a balanced professional-type connector with three conductors: a high and low that are inverse of each other, and a ground - SP]
    Barrier strip - Describes a series of metal plates with non-conductive [dividers between them - SP]
    Fiber optic - A signal transmission medium in which digital audio signals are carried through a special cable as pulses of light. The primary benefit is the immunity to electrical noise.
    Balanced - A circuit topology that maintains equal impedance between both conductors and ground. A balanced transmission must have three basic elements: 1) Balanced Transmitter, 2) Balanced Transmission Line, and 3) Balanced Receiver.
    Low level - Low voltage. [typically RCA inputs - SP]
    High level - High voltage. [typically fed from head unit speaker outputs - SP]
    Multi-pin - Describes plug type plastic connector housing wiring. Plug with wiring mates with opposite gender plug.


    Power input:

    --------------------------------------------------------------------------------
    Type of connectors used to provide power wire connection to amplifier. This feature lists specifications where available.
    Block - Describes solid machined metal that has holes to accept wiring and screws to secure wire in hole.
    Barrier strip - Describes a series of metal plates with non-conductive separators. Including screws to secure wiring to metal plate.
    Multi-pin - Describes plug type plastic connector housing wiring. Plug with wiring mates with opposite gender plug.


    Stereo/mixed mono capable:

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    Two channel amplifiers ability to operate two speakers in stereo mode while deriving a third (mono) channel from the combined signals of the stereo channels. A pair of high pass crossovers for the stereo channels and a low pass crossover for the mono channel are required so that the amplifier "sees" the correct ohm load within the high and low frequencies.


    Heat sink:
    Cast - To pour molten material into a mold and allow it to solidify.
    Extruded - Made by forcing a semi-soft material or molten metal through a specially shaped mold or nozzle.
    Fan cooled - Heat sink incorporating an electric fan to force air over or through the cooling fins of the heat sink.
    Liquid cooled - Heat sink having a jacket or reservoir for liquid coolant, usually circulated by pump.


    Chrome plated:

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    Describes the heat sink or chassis of the amplifier being chrome plated. [Provides no technical advantage, but looks nice - SP]


    Display:

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    Describes visual display devices to indicate functions, diagnostics, and features.
    LED - Light emitting diode. A solid-state diode that glows when current is passed through it.
    LCD - Liquid Crystal Display. Created by applying electricity to cells made of liquid crystal, to make some of them look darker.
    Digital display - Uses digital segments to display information. Segments could be LED or LCD.
    Analog meter - Needle type of meter.


    Speaker output:

    --------------------------------------------------------------------------------
    Describes type of connectors used to connect output of amplifier to speakers.
    Block - Solid machined metal that has holes to accept wiring and screws to secure wire in hole.
    Barrier strip - A series of metal plates with non-conductive separators. Including screws to secure wiring to metal plate.
    Multi-pin - Multi-pin plug type connector with plastic housing. Plug mates with opposite gender plug.


    Line output:

    --------------------------------------------------------------------------------
    Describes amplifiers ability to pass the input signal (un-amplified) out, to supply signal to other amplifiers. Specifications included where available.


    Phase control:

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    Describes the amplifiers ability to control the output phase to the speakers. This feature lists specifications where available.
    Phase - In a periodic wave, the fraction of a period that has elapsed. Describes the time relationship between two AC (alternating current) signals.


    Tone control:

    --------------------------------------------------------------------------------
    Describes tone control functions to effect tone quality of amplified signal.
    Bass - Low frequency control function. Bass, the part of the frequency range made up of the low frequencies. Bass is generally agreed to be those frequencies between 20hz and 400hz.
    Treble - High frequency control function. Treble is the part of the frequency range made up of high frequencies. Treble is generally agreed to be those frequencies between 4000hz and 20,000hz.
    Midrange - Midrange frequency control function. Midrange is the part of the frequency range made up of the middle frequencies. Midrange is generally agreed to be those frequencies between 400hz and 4,000hz.
    Equalizer (EQ) - Equalization - The process of affecting a particular frequency response. Includes multiple adjustments of bass, midrange, and/or treble adjustments.
    Parametric EQ - A type of equalizer that permits the control of the width (Q), center frequency, and the amplitude of each band.
    Quasi-parametric EQ. A type of equalizer that permits the control of the center frequency and amplitude of each band.
    DSP - Digital Signal Processor. A general label for components that manipulate audio signals in the digital domain. Common DSP tasks include ambience synthesis, time alignment, filtering, and equalization.


    Remote control:

    --------------------------------------------------------------------------------
    Describes ability to control certain functions of the amplifier from a remote location such as the dash.
    Wireless - Remote that operates without wiring connected to amplifier.
    Wired - Remote that connects to amplifier with wiring.
    Remote gain - Remote adjustment of amplifiers input sensitivity.
    Remote bass control - Remote adjustment of amplifiers bass control function.
    Optional - Remote control functions require optional accessories.


    Class:

    --------------------------------------------------------------------------------
    Describes the different classifications of amplifiers, depending on how the biasing of the amplifier circuitry is done.
    Class A - Class A operation is where both devices conduct continuously for the entire cycle of signal swing, or the bias current flows in the output devices at all times. The key ingredient of class A operation is that both devices are always on. There is no condition where one or the other is turned off. Because of this, class A amplifiers are single-ended designs with only one type polarity output devices. Class A is the most inefficient of all power amplifier designs, averaging only around 20%. Because of this, class A amplifiers are large, heavy and run very hot. All this is due to the amplifier constantly operating at full power. The positive effects of all this is that class A designs are inherently the most linear, with the least amount of distortion. Devices operate during each cycle of signal swing. Also defined in terms of output bias current, (the amount of current flowing in the output devices with no signal).
    Class B operation is the opposite of class A. Both output devices are never allowed to be on at the same time, or the bias is set so that current flow in a specific output device is zero when not stimulated with an input signal, i.e., the current in a specific output flows for one half cycle. Thus each output device is on for exactly one half of a complete sinusoidal signal cycle. Due to this operation, class B designs show high efficiency but poor linearity around the crossover region. This is due to the time it takes to turn one device off and the other device on, which translates into extreme crossover distortion.
    Class AB operation allows both devices to be on at the same time (like in class A), but just barely. The output bias is set so that current flows in a specific output device appreciably more than a half cycle but less than the entire cycle. That is, only a small amount of current is allowed to flow through both devices, unlike the complete load current of class A designs, but enough to keep each device operating so they respond instantly to input voltage demands. Thus the inherent non-linearity of class B designs is eliminated, without the gross inefficiencies of the class A design. It is this combination of good efficiency (around 50%) with excellent linearity that makes class AB the most popular audio amplifier design.
    Class AB plus B design involves two pairs of output devices: one pair operates class AB while the other (slave) pair operates class B.
    Class D operation is switching, hence the term switching power amplifier. Here the output devices are rapidly switched on and off at least twice for each cycle. Since the output devices are either completely on or completely off they do not theoretically dissipate any power. Consequently class D operation is theoretically 100% efficient, but this requires zero on-impedance switches with infinitely fast switching times -- a product we're still waiting for; meanwhile designs do exist with true efficiencies approaching 90%.
    Class G operation involves changing the power supply voltage from a lower level to a higher level when larger output swings are required. There have been several ways to do this. The simplest involves a single class AB output stage that is connected to two power supply rails by a diode, or a transistor switch. The design is such that for most musical program material, the output stage is connected to the lower supply voltage, and automatically switches to the higher rails for large signal peaks. Another approach uses two class AB output stages, each connected to a different power supply voltage, with the magnitude of the input signal determining the signal path.
    Class H operation takes the class G design one step further and actually modulates the higher power supply voltage by the input signal. This allows the power supply to track the audio input and provide just enough voltage for optimum operation of the output devices. The efficiency of class H is comparable to class G designs.
    Tube - Electron tube evacuated to such a degree that its electrical characteristics are essentially unaffected by the presence of residual gas or vapor. Amplifier using tube type electrical devices.


    Crossover:

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    Describes a filter that passes a specific range of frequencies, while blocking others.
    HP (high pass) - A filter that passes signals above a certain frequency (called cutoff frequency). A high-pass crossover allows only frequencies above the crossover point to be amplified. Useful for keeping low bass away from small speakers, so they can play more efficiently.
    LP (low pass) - A filter that passes signals below a certain frequency (called cutoff frequency). Often used to keep high frequencies from reaching a subwoofer, a low-pass crossover allows only frequencies below the crossover point to be amplified.
    BP (band pass) - A filter that passes a certain portion, or band of frequencies. Consisting of a HP and LP cutoff.
    AP (all pass) - Passes all frequencies.


    Channels:

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    Describes the number of separate outputs of an amplifier.
    One (1) channel - Amplifier having only one mono output.
    Two (2) channel - Amplifier having two separate outputs. One left and one right.
    Three (3) channel - Amplifier having three separate outputs. One left, one right, and one mono.
    Four (4) channel - Amplifier having four separate outputs. Two left, and two right channels. Usually considered front and rear.
    Five (5) channel - Amplifier having five separate outputs. Two left, two right, and one mono.
    Six (6) channel - Amplifier having six separate outputs. Three left, and three right.
    Seven (7) channel - Amplifier having seven separate outputs. Three left, three right and one mono.
    Eight ( channel - Amplifier having eight separate outputs. Four left and four right.


    Power per channel:

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    Describes the output power in watts into a resistive (ohm) load.
    Power- Measure of a power amplifier's ability (in watts) to deliver electrical voltage and current to a speaker.


    Total power:

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    Describes the total output power of all channels added together into a resistive (ohm) load.
    RMS - Root Mean Square. The amount of continuous power (measured in watts) that an amplifier produces is called RMS power. The higher the RMS figure, the louder and cleaner your music sounds. When choosing an amplifier, the RMS rating is the power rating you should pay most attention to. Also, keep in mind that some manufacturers calculate the RMS power ratings of their amplifiers at different input voltages. For example, an amplifier rated at 100 watts RMS at 12 volts can produce considerably more power than an amp rated at 100 watts RMS at the more typical 14.4 volts.
    Peak - Stereo manufacturers often display peak power ratings on the face of their products. The peak power rating tells you the maximum wattage an amplifier can deliver as a brief burst during a musical peak, like a dramatic drum accent. The RMS figure is more significant.
    RMS Power at 2 ohms - This specification tells you how much more power your amp delivers when presented with a 2-ohm stereo load. You can achieve a 2-ohm load by using parallel wiring or by using 2-ohm speakers. Theoretically, amplifier output should exactly double as the impedance drops from the usual 4 ohms to 2 ohms. However, amp makers use different degrees of regulation on power supplies, which can restrict the actual increase in output. Less regulated power supplies come closer to doubling their output into 2-ohm loads. An amp with little regulation can achieve higher wattage into lower impedances. An amplifier with stiffer regulation maintains rated output as other electrical accessories demand voltage from the battery


    Bridgeable:

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    This is the capability to combine the left and right channels of a stereo amplifier to create a single, much more powerful amplifier channel. The input signal is split, and then the phase of one of the signals is inverted. The non-inverted signal is sent to the left amplifier and the inverted signal is sent to the right amplifier (L+R-). The load is connected between the two outputs so it receives twice the voltage at a given input level. In a multi-channel amplifier, bridging is the connection of two channels to drive a single load.


    Marine use:

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    Describes components manufactured for use specifically in boats. Precautions have bean taken to protect the electronics from elements such as water and heat.

    [ August 25, 2004, 05:27 PM: Message edited by: CAMAROWIDBASS ]

  • #2
    more sticky goodness. maybe we should combine these posts into one thread? what do you think moderator?
    ╓<br />║ Matt M<br />║ <a href=\"http://home.austin.rr.com/morrism/3800/sunset_logo2.jpg\" target=\"_blank\">Down with the Sixxness</a> <br />║ Polo Green 1995 3.8 Camaro<br />║ intake, cat, catback, shocks, 3.42\'s, and 12\'s in the trunk<br />╙

    Comment


    • #3
      Originally posted by user1101:
      more sticky goodness. maybe we should combine these posts into one thread? what do you think moderator?
      All over the sticky. I'm gonna wait for one more feature worthy thread before I combine them all together. ;)

      [ July 07, 2004, 02:07 AM: Message edited by: 96firebird311 ]
      Red 96' A4 Firebird
      Audio Audio and Autotek
      Check it out here!

      Comment


      • #4
        Installing Amps: Power wiring only

        Supplies needed:
        heavy power wire
        light (20ga or heavier) remote turn-on wire
        ring or fork connectors to fit each size wire
        fuse holder and fuse
        heat shrink tubing or electrical tape
        plastic wire ties
        rubber grommet
        sandpaper
        self-tapping sheet metal screw (approx #8 x 3/4")
        grease or silicone sealer
        appropriate crimping tools
        optional:
        heavy soldering iron or torch and solder

        The first step to hooking up the power to your amp is to figure out where you're going to put the amp. Find a path from the battery to the amp that you can fish your wire through; this may be through the firewall, under the car, over the headliner, through the fenders, etc. Measure the distance that your wire will have to run and add a couple feet. It's very maddening when you carefully run your wire through all the holes under the dash, take up your carpet and door trims, then find out you're a foot short, so plan ahead and add extra, then add 3 to 4 feet extra to make your ground wires.

        Buy a fuse holder that will handle the size of wire you've chosen and a fuse large enough to handle everything hooked to your power wire. You can get such a fuse and holder at local stereo shops, Best Buy, Circuit City, Radio Shack, etc. (editor's note: The Radio Shack one is identical to the RF one, except for the logo, but only about a third the cost.) This main fuse *MUST* be placed as close as practical to the battery, usually less than 12-18" away, to keep the car from catching on fire if the power wire shorts out or is overloaded. If your amp doesn't have a fuse built in, also get another fuse and holder sized for your amp's expected current draw, to be placed close to the amp.

        To hook the wire to the battery and the ground to the body, you will need either ring or fork type connectors large enough to handle your heavy power wire. You may also need a similar connector to fit your amp's power terminals if your amp won't accept bare wire.

        You're now ready to begin wiring.

        Cut a piece of wire long enough to go from the positive battery terminal to where you're going to mount your main fuse holder. Crimp or solder a ring or fork connector on one end that will fit the bolt on your battery terminal. Slip a piece of heat shrink tubing (red preferred) over the gap between the connector and wire and shrink it up tight. Slide one end cap from your fuse holder over the other end of the wire and fasten the fuse holder's contact to the wire. Make sure these connections are tight and neat without any stray pieces of wire hanging out because this short, heavy piece of wire will not be fused.

        Mount your fuse holder and install the short piece of wire between the battery and fuse holder. DO NOT INSTALL THE FUSE YET! The fuse will be the last thing installed at the end.

        Slip the other end cap from the fuse holder over one end of the remaining heavy wire and connect the other fuse holder's contact to the wire. Screw this to your fuse holder just to keep it in place, leaving a couple inches of slack, and start running the power wire to your amp. Wherever your power wire goes through a piece of metal (i.e. the firewall), it should be surrounded by a rubber boot or grommet to keep the sharp metal edges from wearing through the insulation. Tie the wire out of the way as needed to keep it away from hot, sharp, or moving parts or wherever it might get pinched or stepped on.

        When you get the wire to where the amp is going to be, cut it to length and install the appropriate connector to fit your amp. If your amp doesn't have a fuse built-in, add one shortly before the amp's power connection to protect the amp in case of an overload.

        Find a nearby place, within about two feet of the amp, to attach a ground wire the same size as your power wire to a solid piece of metal on the car's body or frame. Crimp or solder a connector to the wire that will fit your amp. Cut the wire long enough to reach your chosen grounding point and attach a ring or fork connector to make the connection with. If you are using an existing bolt, remove it. Sand the connection point until you have about a nickel-sized patch of shiny bare metal. Bolt the ground wire securely to the shiny spot with either the existing bolt or a self-tapping sheet metal screw. Spread some grease or silicone sealer over the connection to help prevent rust.

        Now that you have a power and ground wire to your amp you're done, right? Not quite. You need to make one more wire to go from the battery ground terminal to the body. This oft-forgotten wire should be at least as large as your amp's power wire, if not larger, because it will carry all the current for your amp AND your car's electrical system. Most new cars come with only a 6 or 8ga wire here. Such a small wire obviously won't carry the current that an 0, 2, or 4ga wire is trying to deliver to your amp, let alone the additional load from your car. This wire should be as short as practical and made with clean, solid connections. Sand the body and bolt the wire down securely just like the ground wire you made for the amp. Coat the connections to prevent rust and you're done with this part of the install.

        Next, run the remote turn-on wire from your head unit to the amp and use appropriate connectors to make the connection. If you are running more than one or two amps, or if you have more accessories
        Double-check all your connections: power and ground at the battery, both sides of the fuse holder, power, ground, and remote turn-on at the amp, ground wire from the amp to the body, ground wire from the battery to the body, and remote wire at the head unit. If everything is safe and secure, NOW you may install the fuse under the hood and turn your amp on knowing that you've done the job yourself and done it right.

        Comment


        • #5
          Type D amplifier? Confused on what this means?

          Class A, Class AB, Class D? Class T? Tube-type? Too confusing? Gotcha!

          In most cases, you are probably not going to want to own a Class A amplifier anymore, and especially a Tube-typed. Tubes are much higher in distortion, and squelch the top & bottom frequencies from your music. Class As are very, very clean, but to the human ear, an AB or Class T is clean enough and much more efficient.

          Efficiencies?

          All amps are very efficient when driven to 100% THD (fully clipped). However, what is important is how efficient they are at normal RMS ratings. Class Ds & Ts are generally 70% efficient, ABs 50%, and A & Tube 33%. Basically, you'd probably want Class D or T on subwoofers--even though you can use Class Ts for full range.

          Class D vs Class T?

          Which ever one most affordable and reliable. Right now, there are only a couple of manufactures making the Class T—which is basically a Class D, with the Tripath Technologies &#174 chip.

          Can you hear the difference between Class A, A/B & Class D on subwoofers? No

          How Much to Spend on amplifiers?

          Rule of Thumb: A Buck A Watt

          Comment


          • #6
            I don't mean to be pedantic, but class A, B, AB, C, and D are generic recognized modes of operation for an amplififying circuit, whereas "class T" is just a trademark of Tripath - a company. Even though the company submitted the occasional whitepaper to IEEE and Spectrum, it's not a generic amplifier class--it's a patented circuit technology.

            In other words, amplifier manufacturers must pay to license the "Class T" chip from Tripath, whereas any electrical engineer can design a class A/B/AB/C/D amplifying circuit.

            /nitpicky
            ╓<br />║ Matt M<br />║ <a href=\"http://home.austin.rr.com/morrism/3800/sunset_logo2.jpg\" target=\"_blank\">Down with the Sixxness</a> <br />║ Polo Green 1995 3.8 Camaro<br />║ intake, cat, catback, shocks, 3.42\'s, and 12\'s in the trunk<br />╙

            Comment


            • #7
              BASS BOOST:

              Bass boost is like having a 30 band eq with everything set flat on the center, then turning up just the one knob centered at a certain freq, usually around 35-45 Hz. This can be good or bad, depending on the particular situation and how much it's used.

              If your box or vehicle response drops off above the boost freq, i.e. at 50 Hz, you can use the boost to compensate for the drop and get more low end extension and better overall response... this is good.

              If your vehicle and/or box response peaks near the boost freq and you're going for spl the boost can help... again, good. But... if your vehicle and/or box peaks near the boost freq and you're going for sq and a flat response the boost will only make the peak worse... this is bad.

              Unfortunately, most people see the term "bass boost" and crank it all the way up figuring it will give them more power and more bass overall... this is wrong. Talnlnky had it right when he said "you don't need [the boost] to reach the full output of the amp, infact if you do use it you are much more likely to send the amp into clipping" because it's usually turned up too much... and clipping isn't good for the speakers or the sound quality.

              Real life example... My amp has up to 18dB of bass boost, centered at 40 Hz and is capable of hitting max excursion on my speakers without it. My car's peak response is somewhere around 45-55 Hz. My ported box is tuned at 40 Hz to give me the flattest response possible. My speakers have an Fs of 44Hz.

              I shouldn't use the bass boost because it's centered at the same freq as my box, which means it boosts some freqs above AND SOME BELOW the port freq. Below the port freq, a ported box offers little resistance and the speaker's excursion goes way up. Since my amp can already drive the speakers to their limits, if I were to boost anything below the port freq I risk blowing my speakers. While I *might* be able to get away with 1 or 2 dB of boost because it's below the speaker's Fs, if I cranked in 6-12dB (heavens forbid the full 18!) I'd probably trash my speakers in no time.

              I want high sound quality with the flattest response possible. Since my car peaks around 45-55Hz, relatively close to my port freq, I actually have to cut the bass on my hu to get a balanced sound and keep my car from sounding boomy. Using the bass boost on my amp would counteract my bass cut at the hu and make my car boom too much for the sound I want.

              The term "bass boost" is a marketing gimmick but the function it serves can be good or bad, depending on how and why it's used.

              Comment


              • #8
                WHAT DOES THE ALTERNATOR DO?


                A new alternator is not always needed. However, beefing up the existing one is always an option. Simple things like a beefier voltage regulator and a larger field coil or armature will help a lot and are pretty cost effective as well. The good news is, GM and Ford etc., makes several high output alts for the many of their common line engines.

                You have say 105 amperes right now. Add up all the fuses in the electrical system will tell you how much reserve amperage you have available for the amps. You can find this detail in the owners manual.

                The primary system: lights, EFI, blower fan, , rear window defogger, onboard computers (ECM,BCM, SIR & ABS) systems are of most concern. Secondary circuits: Power windows, doors locks, wipers, mirrors, seats, cigarette lighter and the like are only used periodically.

                In any event, press on w/ the present install plans and see what happens to the primary system circuits. If your lights dim, blower or wipers seem a bit slow, it may be a candidate for a bigger alternator. Just make sure you have adequate power feed wires and grounds to supply the new amp. If the wiring is marginal, you can have the same problems, but not really an alternator issue. Just high resistance through the main feed lines or ground. In this case, dropping to the next power feed size, may solve the problems noted above.

                Using #4 gauge power and ground wires is usually a safe bet for all but the huge systems used in SPL and DB DRAGS. If you plan on doing this, some research, is definitely recommended.

                Comment


                • #9
                  To do any fiberglassing I'll warn you, its gonna take some time: Tools you'll need:
                  Fiberglass Mat
                  Fiberglass Resin
                  Fiberglass Cloth (i just used an old cut-up t-shirt)
                  Lightweight Body-filler
                  some dishwashing gloves
                  some extra cheap paintbrushes
                  some extra MDF
                  and a big area to work

                  FOR AN ALL FIBERGLASS ENCLOSURE

                  1. First off, decide where your gonna do your enclosure and how big its gonna be and all. Once this is decided, cover the entire (your whole trunk i'm presuming) in plastic and masking tape to seal everything off. Because if you spill resin on anything it will NOT, I repeat, WILL NOT come off!!!

                  2. Once you have everything covered, lay down a layer of fiberglass matting, slather in the fiberglass resin, mixed with some hardener in the general area of your box and make sure to go a little larger, then you can just trim off the extra. Let dry overnight.

                  3. Once that is dry, decide on the placement of your speakers and use the MDF and make 2 mounting rings for each sub and supports for the rings to hold the speaker at the angle and position you have decided to use. Hot glue the supports and one ring for each sub into place and let dry.

                  4. Now you should be able to pull out what you have done so far because it will be a lot easier to work with. Add more layers of glass with the resin/hardener mixture to the "tub" so far to build it up to about 3/8th's of an inch thick. Let dry.

                  5. Now, stretch the fiberglass cloth over what you have for the enclosure and make sure it is VERY TIGHT. Then place your 2nd set of mounting rings on the exact top of the 1st set and staple down.

                  6. Now its time for more glassing. Mix up another batch of resin and hardener and start laying down more mixture, and slather it around the OUTSIDE of the mounting rings, again, build it up to about 3/8" and let dry.

                  7. Once that has all dried, mix up a batch of bodyfiller and hardener and apply it to the fiberglass and try to spread it out the best you can. Let dry several hours, if not overnight and sand lightly until almost smooth. Then, proceed to keep adding layers of bodyfiller/hardener until it is very smooth.
                  8. Now, it is time to prime the body filler and then paint to your liking.


                  FOR AN ENCLOSURE WITH JUST A FIBERGLASS FRONT

                  1. Again, decide where your gonna put your box, and build a basic mockup of the box out of MDF (top, bottom, back and sides) and pull out what you have currently built and just proceed to build that part like any other box.

                  2. From here on out, continue with step #3 above...by placing the speakers and then adding the cloth, fiberglassing, etc.

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